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<title>blog</title>
<link rel="alternate" type="text/html" href="http://www.basebasebase.com/" />
<modified>2009-09-07T06:48:31Z</modified>
<tagline></tagline>
<id>tag:,2010:/1</id>
<generator url="http://www.movabletype.org/" version="3.16">Movable Type</generator>
<copyright>Copyright (c) 2020, alex</copyright>
<entry>
<title>Submission Process</title>
<link rel="alternate" type="text/html" href="http://www.basebasebase.com/archive/flat_files/000039.html" />
<modified>2009-09-07T06:48:31Z</modified>
<issued>2020-06-08T19:41:35Z</issued>
<id>tag:,2020:/1.39</id>
<created>2020-06-08T19:41:35Z</created>
<summary type="text/plain"> If you would like to submit your artwork for consideration, please send images of artwork to triplebase@gmail.com. Include a cv, bio or artist&apos;s statement and a proposal for how you would like to work with Triple Base (i.e. flat files, one-night event, public project etc.) Please be as specific...</summary>
<author>
<name>alex</name>


</author>
<dc:subject>Flat Files</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.basebasebase.com/">
<![CDATA[<p><img alt="flat files review#1.jpg" src="http://www.basebasebase.com/images/flat%20files%20review%231.jpg" width="267" height="200" /> <img alt="flat file review#2.jpg" src="http://www.basebasebase.com/images/flat%20file%20review%232.jpg" width="267" height="200" /><br />
<br><br />
If you would like to submit your artwork for consideration, please send images of artwork to triplebase@gmail.com. Include a cv, bio or artist's statement and a proposal for how you would like to work with Triple Base (i.e. flat files, one-night event, public project etc.) Please be as specific as possible.</p>

<p>Dina Pugh and Joyce Grimm, Co-Directors of Triple Base Gallery conduct periodic review sessions. The focus of these sessions are to consider new work for the Triple Base Flat Files. However, we will also consider works of various mediums and sizes for future exhibitions, projects and events. There is no guarantee of a meeting unless we contact you directly. Thank you.</p>

<p></p>

<p><br />
</p>]]>

</content>
</entry>
<entry>
<title>Michelle Blade Installation Image</title>
<link rel="alternate" type="text/html" href="http://www.basebasebase.com/archive/images/000382.html" />
<modified>2010-03-10T06:31:10Z</modified>
<issued>2010-03-10T05:51:55Z</issued>
<id>tag:,2010:/1.382</id>
<created>2010-03-10T05:51:55Z</created>
<summary type="text/plain"></summary>
<author>
<name>triplebase</name>

<email>triplebase@sbcglobal.net</email>
</author>
<dc:subject>Images</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.basebasebase.com/">
<![CDATA[<p><img alt="michelleblade-solo exhibitionW.jpg" src="http://www.basebasebase.com/images/michelleblade-solo%20exhibitionW.jpg" width="362" height="483" /></p>

<p><img alt="michelle blade-tripebasementW.jpg" src="http://www.basebasebase.com/images/michelle%20blade-tripebasementW.jpg" width="362" height="483" /></p>

<p><img alt="michelle blade- tentW.jpg" src="http://www.basebasebase.com/images/michelle%20blade-%20tentW.jpg" width="362" height="272" /></p>

<p><img alt="michelle blade-infinity wishing wellW.jpg" src="http://www.basebasebase.com/images/michelle%20blade-infinity%20wishing%20wellW.jpg" width="362" height="272" /></p>

<p><img alt="mblade-Fortune TellerW.jpg" src="http://www.basebasebase.com/images/mblade-Fortune%20TellerW.jpg" width="362" height="272" /></p>

<p><img alt="mblade-Untitled (Aurora Borealis)W.jpg" src="http://www.basebasebase.com/images/mblade-Untitled%20%28Aurora%20Borealis%29W.jpg" width="362" height="483" /></p>

<p><img alt="michelleblade-solo exhibition 2W.jpg" src="http://www.basebasebase.com/images/michelleblade-solo%20exhibition%202W.jpg" width="362" height="272" /></p>

<p><img alt="mblade-Blow As Deep As You Want to BlowW.jpg" src="http://www.basebasebase.com/images/mblade-Blow%20As%20Deep%20As%20You%20Want%20to%20BlowW.jpg" width="362" height="464" /></p>

<p><img alt="mblade-Circular TapestryW.jpg" src="http://www.basebasebase.com/images/mblade-Circular%20TapestryW.jpg" width="362" height="483" /></p>

<p><img alt="mblade john muirW.jpg" src="http://www.basebasebase.com/images/mblade%20john%20muirW.jpg" width="362" height="272" /></p>

<p><img alt="michelle blade-back roomW.jpg" src="http://www.basebasebase.com/images/michelle%20blade-back%20roomW.jpg" width="362" height="203" /></p>

<p><img alt="michelle blade-backroom 2W.jpg" src="http://www.basebasebase.com/images/michelle%20blade-backroom%202W.jpg" width="362" height="243" /></p>

<p><img alt="mblade- Infinity WellW.jpg" src="http://www.basebasebase.com/images/mblade-%20Infinity%20WellW.jpg" width="362" height="329" /></p>

<p><img alt="mblade-Optimistic Ouiji Board W.jpg" src="http://www.basebasebase.com/images/mblade-Optimistic%20Ouiji%20Board%20W.jpg" width="362" height="244" /></p>]]>

</content>
</entry>
<entry>
<title>Tribeca Triple Base</title>
<link rel="alternate" type="text/html" href="http://www.basebasebase.com/archive//000381.html" />
<modified>2010-02-25T18:59:33Z</modified>
<issued>2010-02-25T18:58:00Z</issued>
<id>tag:,2010:/1.381</id>
<created>2010-02-25T18:58:00Z</created>
<summary type="text/plain"></summary>
<author>
<name>triplebase</name>

<email>triplebase@sbcglobal.net</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.basebasebase.com/">
<![CDATA[<p><img alt="back_good.jpg" src="http://www.basebasebase.com/image/back_good.jpg" width="612" height="432" /><br />
</p>]]>

</content>
</entry>
<entry>
<title>Triple Base NYC  Pop-Up Gallery</title>
<link rel="alternate" type="text/html" href="http://www.basebasebase.com/archive/upcoming_projects/000380.html" />
<modified>2010-03-10T04:33:45Z</modified>
<issued>2010-02-22T20:52:53Z</issued>
<id>tag:,2010:/1.380</id>
<created>2010-02-22T20:52:53Z</created>
<summary type="text/plain">Triple Base NYC Pop-Up Gallery 9 Desbrosses (btwn Greenwich &amp; Hudson) March 4-March 13, 2010 Open everyday 12-6pm Closing Reception: Saturday, March 13, 8-11pm Pray Tell: A Séance for Warren Zevon Sound by Safety Scissors Performance by Turkey (Ari Messer and Ian Campbell) Art by Michelle Blade and Visuals by...</summary>
<author>
<name>triplebase</name>

<email>triplebase@sbcglobal.net</email>
</author>
<dc:subject>Upcoming Projects</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.basebasebase.com/">
<![CDATA[<p><b>Triple Base NYC  Pop-Up Gallery</b><br />
9 Desbrosses (btwn Greenwich & Hudson)<br />
March 4-March 13, 2010<br />
Open everyday 12-6pm</p>

<p><strong>Closing Reception: Saturday, March 13, 8-11pm<br />
<a href="http://warrenzevon.tumblr.com/">Pray Tell: A Séance for Warren Zevon</a></strong></p>

<p>Sound by Safety Scissors<br />
Performance by Turkey (Ari Messer and Ian Campbell)<br />
Art by Michelle Blade and Visuals by Kateri O'Neil </p>

<p><img alt="CB for web.jpg" src="http://www.basebasebase.com/images/CB%20for%20web.jpg" width="362" height="462" /><br />
Rachel Kaye, Christie Brinkley, 2009</p>

<p>Triple Base Gallery (San Francisco) is excited to announce its New York Pop-Up Gallery, opening in Tribeca (8 Desbrosses) on March 3rd and running though March 13th.  Coinciding with the city’s simultaneous art fairs, the show, entitled “Yielding California” will be housed within a 5,000 square-foot exhibition space and will feature painting, drawing, sculpture, and video art from eleven emerging artists based in San Francisco, Los Angeles, and New York.</p>

<p>California has long provided fertile ground to artists in search of utopia, just as it has proven to be a rich terrain for both the exploration of consciousness and for an ongoing attempt to reconcile the allure of commercialism with the natural world. Triple Base presents bi-coastal artists that probe and process these very notions and concepts.  Exhibiting artists include: <b>Korakrit Arunanondchai, Nate Boyce, Todd Bura, Michelle Blade, Bryson Gill, Kori Girard, Joseph Hart, Rachel Kaye, Lauren Luloff, Jay Nelson and Oliver Halsman Rosenberg.</b></p>

<p>From Beat Art to Bay Area Figurative painting to the Mission School, San Francisco, in particular, boasts a rich history as an incubator for innovative artists and progressive art movements that have paralleled coinciding practices in both New York and abroad.  With the globalization and subsequent growth of the art world—in addition to the constant migration of artists and exhibitions around the globe—the California “frame of mind” is now no longer confined to one fixed location, but has, instead, begun to sow seeds and plant roots in like-minded artistic subcultures throughout the world.  “Yielding California” embraces these cross-currents and showcases a new crop of artists that explore, exemplify, and embody this contemporary  “Californian” essence and aesthetic.</p>

<p>Opening Reception:<br />
<b>Live performances by ARP (Alexis Georgopoulos) Panda Blur (Korakrit Arunanondchai) and a collaboration by Hisham Akira Bharoocha (Soft Circle) and Robert AA Lowe (Lichens/Singer). </b></p>

<p>Exhibition space generously donated by Shahab Karmely.</p>

<p>Production by Kyle Garner (Sit and Read Furniture) and Kateri O’Neil (Aesthetics Unlimited).</p>

<p><img alt="sit and read logo.jpg" src="http://www.basebasebase.com/archive/images/sit%20and%20read%20logo.jpg" width="200" height="81" /></p>]]>

</content>
</entry>
<entry>
<title>Blow As Deep As You Want to Blow - Exhibition Images</title>
<link rel="alternate" type="text/html" href="http://www.basebasebase.com/archive/images/000379.html" />
<modified>2010-02-20T22:09:11Z</modified>
<issued>2010-02-20T21:56:05Z</issued>
<id>tag:,2010:/1.379</id>
<created>2010-02-20T21:56:05Z</created>
<summary type="text/plain"> John Muir, 2010 57.5&apos;&apos; x 40&apos;&apos; acrylic on DuraLar Blow As Deep As You Want to Blow, 2010 oil, graphite and DuraLar on panel 40&apos;&apos; x 50&apos;&apos; Circular Tapestry, 2010 acrylic on DuraLar 55&apos;&apos; diameter Untitled (Aurora Borealis), 2010 61&apos;&apos; x 78&apos;&apos; acrylic on DuraLar Infinity Well, 2010 acrylic...</summary>
<author>
<name>triplebase</name>

<email>triplebase@sbcglobal.net</email>
</author>
<dc:subject>images</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.basebasebase.com/">
<![CDATA[<p><img alt="John Muir_web.jpg" src="http://www.basebasebase.com/archive/images/John%20Muir_web.jpg" width="362" height="491" /><br />
John Muir, 2010<br />
57.5'' x 40''<br />
acrylic on DuraLar</p>

<p><img alt="Blow As Deep As You Want to Blow_web.jpg" src="http://www.basebasebase.com/archive/images/Blow%20As%20Deep%20As%20You%20Want%20to%20Blow_web.jpg" width="362" height="293" /><br />
Blow As Deep As You Want to Blow, 2010<br />
oil, graphite and DuraLar on panel<br />
40'' x 50''</p>

<p><img alt="Circular Tapestry_web.jpg" src="http://www.basebasebase.com/archive/images/Circular%20Tapestry_web.jpg" width="362" height="362" /><br />
Circular Tapestry, 2010<br />
acrylic on DuraLar<br />
55'' diameter</p>

<p><img alt="Untitled.AuroraBorealis_web.jpg" src="http://www.basebasebase.com/archive/images/Untitled.AuroraBorealis_web.jpg" width="362" height="467" /><br />
Untitled (Aurora Borealis), 2010<br />
61'' x 78''<br />
acrylic on DuraLar</p>

<p><img alt="Infinity Well_web.jpg" src="http://www.basebasebase.com/archive/images/Infinity%20Well_web.jpg" width="362" height="269" /><br />
Infinity Well, 2010<br />
acrylic on DuraLar on panel<br />
30'' x 40''</p>

<p><img alt="Fortune Teller_web.jpg" src="http://www.basebasebase.com/archive/images/Fortune%20Teller_web.jpg" width="362" height="465" /><br />
Fortune Teller, 2010<br />
acrylic on DuraLar in lightbox<br />
15.5'' x 12.5'' x 4.5''</p>

<p><img alt=" crystal ball_web.jpg" src="http://www.basebasebase.com/archive/images/%20crystal%20ball_web.jpg" width="362" height="517" /><br />
Crystal Ball, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="Albino Peacock_web.jpg" src="http://www.basebasebase.com/archive/images/Albino%20Peacock_web.jpg" width="362" height="511" /><br />
Albino Peacock, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="Aurora borealis_web.jpg" src="http://www.basebasebase.com/archive/images/Aurora%20borealis_web.jpg" width="362" height="506" /><br />
Aurora Borealis, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="Couple_web.jpg" src="http://www.basebasebase.com/archive/images/Couple_web.jpg" width="362" height="502" /><br />
Couple, 2009<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="Fountain_web.jpg" src="http://www.basebasebase.com/archive/images/Fountain_web.jpg" width="362" height="512" /><br />
Fountain, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="Girl_web.jpg" src="http://www.basebasebase.com/archive/images/Girl_web.jpg" width="362" height="506" /><br />
Girl, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="shaman IIII.jpg" src="http://www.basebasebase.com/Images/shaman%20IIII.jpg" width="362" height="508" /><br />
Shaman IIII, 2009<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="Illusion_web.jpg" src="http://www.basebasebase.com/archive/images/Illusion_web.jpg" width="362" height="498" /><br />
Illusion, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="Kommune1_web.jpg" src="http://www.basebasebase.com/archive/images/Kommune1_web.jpg" width="362" height="513" /><br />
Kommune, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="Making Eyes_web.jpg" src="http://www.basebasebase.com/archive/images/Making%20Eyes_web.jpg" width="362" height="495" /><br />
Making Eyes, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="Moonbath_web.jpg" src="http://www.basebasebase.com/archive/images/Moonbath_web.jpg" width="362" height="520" /><br />
Moonbath, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="Optimistic Ouiji Board_web.jpg" src="http://www.basebasebase.com/archive/images/Optimistic%20Ouiji%20Board_web.jpg" width="362" height="241" /><br />
Optimistic Ouiji Board, 2010<br />
24'' x 20''<br />
acrylic on paper</p>

<p><img alt="rain dance_web.jpg" src="http://www.basebasebase.com/archive/images/rain%20dance_web.jpg" width="362" height="522" /><br />
Rain Dance, 2009<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="Shaman_web.jpg" src="http://www.basebasebase.com/archive/images/Shaman_web.jpg" width="362" height="507" /><br />
Shaman, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="ShamanII_web.jpg" src="http://www.basebasebase.com/archive/images/ShamanII_web.jpg" width="362" height="511" /><br />
Shaman II, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="ShamanIII_web.jpg" src="http://www.basebasebase.com/archive/images/ShamanIII_web.jpg" width="362" height="491" /><br />
Shaman III, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="Snake Charmer_web.jpg" src="http://www.basebasebase.com/archive/images/Snake%20Charmer_web.jpg" width="362" height="512" /><br />
Snake Charmer, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="Spinning Hexagons_web.jpg" src="http://www.basebasebase.com/archive/images/Spinning%20Hexagons_web.jpg" width="362" height="520" /><br />
Spinning Hexagons, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="The Golden Bough_web.jpg" src="http://www.basebasebase.com/archive/images/The%20Golden%20Bough_web.jpg" width="362" height="527" /><br />
The Golden Bough, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="The hand of the Desert_web.jpg" src="http://www.basebasebase.com/archive/images/The%20hand%20of%20the%20Desert_web.jpg" width="362" height="515" /><br />
The Hand of the Desert, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="The Last Whole Earth Catalog_web.jpg" src="http://www.basebasebase.com/archive/images/The%20Last%20Whole%20Earth%20Catalog_web.jpg" width="362" height="474" /><br />
The Whole Earth Catalog, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="The Secret Museum of Mankind_web.jpg" src="http://www.basebasebase.com/archive/images/The%20Secret%20Museum%20of%20Mankind_web.jpg" width="362" height="515" /><br />
The Secret Museum of Mankind, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="Traveling_web.jpg" src="http://www.basebasebase.com/archive/images/Traveling_web.jpg" width="362" height="515" /><br />
Traveling, 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="UntitledNude_web.jpg" src="http://www.basebasebase.com/archive/images/UntitledNude_web.jpg" width="362" height="515" /><br />
Untitled (Nude), 2010<br />
20'' x 24''<br />
acrylic on paper</p>

<p><img alt="UntitledBWRug_web" src="http://www.basebasebase.com/archive/images/UntitledBWRug_web" width="362" height="511" /><br />
Untitled (Black and White Rug), 2010<br />
20'' x 24''<br />
acrylic on paper<br />
</p>]]>

</content>
</entry>
<entry>
<title>Blow As Deep As You Want to Blow: Images w/ Prices</title>
<link rel="alternate" type="text/html" href="http://www.basebasebase.com/archive/artist_pages_with_prices/000378.html" />
<modified>2010-02-27T04:48:07Z</modified>
<issued>2010-02-16T23:00:15Z</issued>
<id>tag:,2010:/1.378</id>
<created>2010-02-16T23:00:15Z</created>
<summary type="text/plain"> John Muir, 2010 57.5&apos;&apos; x 40&apos;&apos; acrylic on DuraLar $4000 Blow As Deep As You Want to Blow, 2010 oil, graphite and DuraLar on panel 40&apos;&apos; x 50&apos;&apos; $3600 Circular Tapestry, 2010 acrylic on DuraLar 55&apos;&apos; diameter $2400 Untitled (Aurora Borealis), 2010 61&apos;&apos; x 78&apos;&apos; acrylic on DuraLar $5000...</summary>
<author>
<name>triplebase</name>

<email>triplebase@sbcglobal.net</email>
</author>
<dc:subject>Artist Pages with Prices</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.basebasebase.com/">
<![CDATA[<p><img alt="John Muir_web.jpg" src="http://www.basebasebase.com/archive/images/John%20Muir_web.jpg" width="362" height="491" /><br />
John Muir, 2010<br />
57.5'' x 40''<br />
acrylic on DuraLar<br />
$4000</p>

<p><br />
<img alt="Blow As Deep As You Want to Blow_web.jpg" src="http://www.basebasebase.com/archive/images/Blow%20As%20Deep%20As%20You%20Want%20to%20Blow_web.jpg" width="362" height="293" /><br />
Blow As Deep As You Want to Blow, 2010<br />
oil, graphite and DuraLar on panel<br />
40'' x 50''<br />
$3600</p>

<p><br />
<img alt="Circular Tapestry_web.jpg" src="http://www.basebasebase.com/archive/images/Circular%20Tapestry_web.jpg" width="362" height="362" /><br />
Circular Tapestry, 2010<br />
acrylic on DuraLar<br />
55'' diameter<br />
$2400</p>

<p><br />
<img alt="Untitled.AuroraBorealis_web.jpg" src="http://www.basebasebase.com/archive/images/Untitled.AuroraBorealis_web.jpg" width="362" height="467" /><br />
Untitled (Aurora Borealis), 2010<br />
61'' x 78''<br />
acrylic on DuraLar<br />
$5000</p>

<p><br />
<img alt="Infinity Well_web.jpg" src="http://www.basebasebase.com/archive/images/Infinity%20Well_web.jpg" width="362" height="269" /><br />
Infinity Well, 2010<br />
acrylic on DuraLar on panel<br />
30'' x 40''<br />
$2500</p>

<p><br />
<img alt="Fortune Teller_web.jpg" src="http://www.basebasebase.com/archive/images/Fortune%20Teller_web.jpg" width="362" height="465" /><br />
Fortune Teller, 2010<br />
acrylic on DuraLar in lightbox<br />
15.5'' x 12.5'' x 4.5''<br />
$750</p>

<p><br />
<img alt=" crystal ball_web.jpg" src="http://www.basebasebase.com/archive/images/%20crystal%20ball_web.jpg" width="362" height="517" /><br />
Crystal Ball, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
$600</p>

<p><br />
<img alt="Albino Peacock_web.jpg" src="http://www.basebasebase.com/archive/images/Albino%20Peacock_web.jpg" width="362" height="511" /><br />
Albino Peacock, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
$600<br />
SOLD</p>

<p><img alt="Aurora borealis_web.jpg" src="http://www.basebasebase.com/archive/images/Aurora%20borealis_web.jpg" width="362" height="506" /><br />
Aurora Borealis, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
SOLD</p>

<p><br />
<img alt="Couple_web.jpg" src="http://www.basebasebase.com/archive/images/Couple_web.jpg" width="362" height="502" /><br />
Couple, 2009<br />
20'' x 24''<br />
acrylic on paper<br />
$600</p>

<p><br />
<img alt="Fountain_web.jpg" src="http://www.basebasebase.com/archive/images/Fountain_web.jpg" width="362" height="512" /><br />
Fountain, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
SOLD</p>

<p><br />
<img alt="Girl_web.jpg" src="http://www.basebasebase.com/archive/images/Girl_web.jpg" width="362" height="506" /><br />
Girl, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
SOLD</p>

<p><img alt="shaman IIII.jpg" src="http://www.basebasebase.com/Images/shaman%20IIII.jpg" width="362" height="508" /><br />
Shaman IIII, 2009<br />
20'' x 24''<br />
acrylic on paper<br />
$600</p>

<p><img alt="Illusion_web.jpg" src="http://www.basebasebase.com/archive/images/Illusion_web.jpg" width="362" height="498" /><br />
Illusion, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
$600</p>

<p><br />
<img alt="Kommune1_web.jpg" src="http://www.basebasebase.com/archive/images/Kommune1_web.jpg" width="362" height="513" /><br />
Kommune, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
$600</p>

<p><br />
<img alt="Making Eyes_web.jpg" src="http://www.basebasebase.com/archive/images/Making%20Eyes_web.jpg" width="362" height="495" /><br />
Making Eyes, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
SOLD</p>

<p><br />
<img alt="Moonbath_web.jpg" src="http://www.basebasebase.com/archive/images/Moonbath_web.jpg" width="362" height="520" /><br />
Moonbath, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
SOLD</p>

<p><br />
<img alt="Optimistic Ouiji Board_web.jpg" src="http://www.basebasebase.com/archive/images/Optimistic%20Ouiji%20Board_web.jpg" width="362" height="241" /><br />
Optimistic Ouiji Board, 2010<br />
24'' x 20''<br />
acrylic on paper<br />
$600</p>

<p><br />
<img alt="rain dance_web.jpg" src="http://www.basebasebase.com/archive/images/rain%20dance_web.jpg" width="362" height="522" /><br />
Rain Dance, 2009<br />
20'' x 24''<br />
acrylic on paper<br />
$600</p>

<p><br />
<img alt="Shaman_web.jpg" src="http://www.basebasebase.com/archive/images/Shaman_web.jpg" width="362" height="507" /><br />
Shaman, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
$600</p>

<p><br />
<img alt="ShamanII_web.jpg" src="http://www.basebasebase.com/archive/images/ShamanII_web.jpg" width="362" height="511" /><br />
Shaman II, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
$600</p>

<p><br />
<img alt="ShamanIII_web.jpg" src="http://www.basebasebase.com/archive/images/ShamanIII_web.jpg" width="362" height="491" /><br />
Shaman III, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
$600</p>

<p><br />
<img alt="Snake Charmer_web.jpg" src="http://www.basebasebase.com/archive/images/Snake%20Charmer_web.jpg" width="362" height="512" /><br />
Snake Charmer, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
SOLD</p>

<p><br />
<img alt="Spinning Hexagons_web.jpg" src="http://www.basebasebase.com/archive/images/Spinning%20Hexagons_web.jpg" width="362" height="520" /><br />
Spinning Hexagons, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
$600</p>

<p><br />
<img alt="The Golden Bough_web.jpg" src="http://www.basebasebase.com/archive/images/The%20Golden%20Bough_web.jpg" width="362" height="527" /><br />
The Golden Bough, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
$600</p>

<p><br />
<img alt="The hand of the Desert_web.jpg" src="http://www.basebasebase.com/archive/images/The%20hand%20of%20the%20Desert_web.jpg" width="362" height="515" /><br />
The Hand of the Desert, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
$600</p>

<p><br />
<img alt="The Last Whole Earth Catalog_web.jpg" src="http://www.basebasebase.com/archive/images/The%20Last%20Whole%20Earth%20Catalog_web.jpg" width="362" height="474" /><br />
The Whole Earth Catalog, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
SOLD</p>

<p><br />
<img alt="The Secret Museum of Mankind_web.jpg" src="http://www.basebasebase.com/archive/images/The%20Secret%20Museum%20of%20Mankind_web.jpg" width="362" height="515" /><br />
The Secret Museum of Mankind, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
$600</p>

<p><br />
<img alt="Traveling_web.jpg" src="http://www.basebasebase.com/archive/images/Traveling_web.jpg" width="362" height="515" /><br />
Traveling, 2010<br />
20'' x 24''<br />
acrylic on paper<br />
$600</p>

<p><br />
<img alt="UntitledNude_web.jpg" src="http://www.basebasebase.com/archive/images/UntitledNude_web.jpg" width="362" height="515" /><br />
Untitled (Nude), 2010<br />
20'' x 24''<br />
acrylic on paper<br />
SOLD</p>

<p><br />
<img alt="UntitledBWRug_web" src="http://www.basebasebase.com/archive/images/UntitledBWRug_web" width="362" height="511" /><br />
Untitled (Black and White Rug), 2010<br />
20'' x 24''<br />
acrylic on paper<br />
$600<br />
</p>]]>

</content>
</entry>
<entry>
<title>Michelle Blade Solo Show</title>
<link rel="alternate" type="text/html" href="http://www.basebasebase.com/archive/exhibitions/000376.html" />
<modified>2010-03-10T06:35:34Z</modified>
<issued>2010-02-09T20:24:28Z</issued>
<id>tag:,2010:/1.376</id>
<created>2010-02-09T20:24:28Z</created>
<summary type="text/plain">Blow As Deep As You Want to Blow New Work by Michelle Blade February 19 – March 21, 2010 Dinner Lecture Friday, March 19, 7:30-10:30pm Triple Base is proud to announce Michelle Blade’s solo exhibition Blow As Deep As You Want to Blow, opening on February 19th. Since her last...</summary>
<author>
<name>triplebase</name>

<email>triplebase@sbcglobal.net</email>
</author>
<dc:subject>Exhibitions</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.basebasebase.com/">
<![CDATA[<p><b><em>Blow As Deep As You Want to Blow</em><br />
New Work by Michelle Blade</b><br />
February 19 – March 21, 2010<br />
<strong><br />
Dinner Lecture Friday, March 19, 7:30-10:30pm</strong></p>

<p><img alt="Blade_Muir.jpg" src="http://www.basebasebase.com/archive/images/Blade_Muir.jpg" width="362" height="491" /></p>

<p>Triple Base is proud to announce Michelle Blade’s solo exhibition <em>Blow As Deep As You Want to Blow</em>, opening on February 19th.  Since her last solo show in 2008, Blade has been included in over ten diverse exhibitions, created two publications, and opened her own exhibition space in Oakland called Sight School.<br />
 <br />
Michelle Blade’s work often intersects with her engagement in social practice. As a natural result there are often several points of entry when deriving meaning from each image. For her solo show, Blade will take over all three of the exhibition spaces at Triple Base—the project space, the backroom and the Triple Basement—with an installation of paintings and painted sculptures. This cohesive body of work explores pattern and color and if it had to be summed up - the exhibition is geared towards understanding the role of the artist as a maker of meaning. Blade creates painted forms and symbols that encompass layers of understanding as seen by an artist working to discover knowledge. This is evident in the artistic choices Blade has made and is illuminated in her depictions of famous literary works, ancient textile patterns, and locations of discovery and mysticism. Blade looks towards history, philosophy, spirituality, nature, anthropology and common culture as both inspiration and fodder.<br />
 <br />
<em>Blow As Deep As You Want to Blow</em> is comprised of color saturated works that explore Blade’s quest for understanding and can be considered somewhere in between imagination and truth.</p>

<p><strong><a href="http://www.basebasebase.com/archive/images/000382.html">VIEW EXHIBITION IMAGES</a></strong></p>

<p><a href="http://www.artpractical.com/index.php?/feature/conversation_with_michelle_blade"><br />
Read the Art Practical Interview</a> </p>

<p><a href="http://blog.christinewongyap.com/2010/03/07/"><br />
On Be(com)ing an Artist, Citizen and San Francisco Bay Area Arts Community member, by Christine Wong Yap<br />
</a></p>

<p>Blade has had solo shows at Jack Hanley Gallery and Parklife, in San Francisco, CA. She has been featured in group shows at the San Francisco Arts Comission Gallery, SF; VI Gallery, Denmark; Space 1026, in PA; Carl Berg Gallery, Los Angeles; Union Gallery, London; and Akademie der Bildenden Künste in Stuttgart,Germany. In 2007 she received the Murphy-Cadogan Fellowship and All College Honors from California College of the Arts. Her work has been featured on NPR and written about in FADER,  Nylon Magazine, Yeti Magazine, and New York Times Magazine.</p>

<p><br />
<a href="http://www.basebasebase.com/archive/images/000379.html">View Exhibition Works by Michelle Blade</a></p>

<p><a href="http://www.basebasebase.com/archive/flat_files/000181.html">View Past Works by Michelle Blade</a></p>

<p><a href="http://www.xlr8r.com/tv/112">Watch XLR8R's Video Profiile of Michelle Blade</a></p>

<p><strong><br />
OPENING NIGHT SPONSORS:</strong></p>

<p><img alt="Bear Flag Logo_200.jpg" src="http://www.basebasebase.com/archive/images/Bear%20Flag%20Logo_200.jpg" width="200" height="138" /></p>

<p><img alt="TrumerPilsLogo_200.jpg" src="http://www.basebasebase.com/archive/images/TrumerPilsLogo_200.jpg" width="200" height="133" /><br />
</p>]]>

</content>
</entry>
<entry>
<title>michelle blade poster image</title>
<link rel="alternate" type="text/html" href="http://www.basebasebase.com/archive//000375.html" />
<modified>2010-02-09T03:49:15Z</modified>
<issued>2010-02-09T03:48:23Z</issued>
<id>tag:,2010:/1.375</id>
<created>2010-02-09T03:48:23Z</created>
<summary type="text/plain"></summary>
<author>
<name>triplebase</name>

<email>triplebase@sbcglobal.net</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.basebasebase.com/">
<![CDATA[<p><img alt="triplebasePOSTER_pr.jpg" src="http://www.basebasebase.com/archive/images/triplebasePOSTER_pr.jpg" width="200" height="270" /></p>]]>

</content>
</entry>
<entry>
<title>blade press</title>
<link rel="alternate" type="text/html" href="http://www.basebasebase.com/archive/press/000374.html" />
<modified>2010-02-08T20:31:16Z</modified>
<issued>2010-02-08T20:23:19Z</issued>
<id>tag:,2010:/1.374</id>
<created>2010-02-08T20:23:19Z</created>
<summary type="text/plain"></summary>
<author>
<name>triplebase</name>

<email>triplebase@sbcglobal.net</email>
</author>
<dc:subject>Press</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.basebasebase.com/">
<![CDATA[<p><img alt="triplebasePOSTER_Blade-sm.jpg"src="http://www.basebasebase.com/images/triplebasePOSTER_Blade-sm.jpg" width="300" height="451" /><br />
</p>]]>

</content>
</entry>
<entry>
<title>24th Street Promenade</title>
<link rel="alternate" type="text/html" href="http://www.basebasebase.com/archive/past_projects/000373.html" />
<modified>2010-02-01T00:21:42Z</modified>
<issued>2010-01-31T23:56:15Z</issued>
<id>tag:,2010:/1.373</id>
<created>2010-01-31T23:56:15Z</created>
<summary type="text/plain">24th Street Promenade
November 23, 2009- ongoing



DOWNLOAD MAP

24th Street Promenade puts artists into a dialog with the immediate community of Lower 24th Street in the Mission District, where Triple Base is located</summary>
<author>
<name>triplebase</name>

<email>triplebase@sbcglobal.net</email>
</author>
<dc:subject>Past Projects</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.basebasebase.com/">
<![CDATA[<p><em><strong>24th Street Promenade</strong></em><br />
November 23, 2009- ongoing</p>

<p><img alt="24thpromenade_Listening.jpg" src="http://www.basebasebase.com/archive/images/24thpromenade_Listening.jpg" width="362" height="262" /></p>

<p><a href="http://www.sfartscommission.org/CAE/wp-content/uploads/2009/09/Mission_Map.pdf"><strong>DOWNLOAD MAP</strong></a><br></p>

<p><em>24th Street Promenade</em> puts artists into a dialog with the immediate community of Lower 24th Street in the Mission District, where Triple Base is located. Ten Bay Area artists present dynamic new work in storefronts and public sites along the 24th Street working alongside business owners, community organizations and public spaces to create mutually beneficial installations and interventions. </p>

<p><br />
<b>Clare Haggarty</b><br />
"El Altar de Recuerdos de Calle 24"<br />
3126 24th Street (Sun Rise Restaurant)</p>

<p>Haggarty has created a souvenir mug display in the window of the Sun Rise Restaurant. However, these are not the mass produced mementos seen in your average gift shop. Instead each mug is a unique portrait of the past and present one-of-a-kind businesses on 24th Street. The specialty shops, cafes, and restaurants depicted mirror the variety of people who live in the neighborhood. The mugs simultaneously serve as a record of how the neighborhood has changed and how some places have stood the test of time.</p>

<p><br />
<b>Matthew Rana</b><br />
"Canto de la Calle"<br />
2958 24th Street (Accion Latina/El Tecolote) </p>

<p>In collaboration with the bilingual newspaper El Tecolote, artist and writer Matthew David Rana will produce a special edition of the newspaper based on material found in its archive. This project highlights El Tecolote's 40 year history of citizen journalism and radical cultural work in the Mission. The special edition of El Tecolote will be available at the newspaper's regular distribution points in mid-January 2010. For more information visit: http://news.eltecolote.org/news/</p>

<p><br />
<b>Jerome Waag</b><br />
"Twenty-four Pelican Calls"<br />
2904 24th Street<a href="http:// http://24pelicancalls.wordpress.com/"><br />
<strong><a href="http://24pelicancalls.wordpress.com/">http://24pelicancalls.wordpress.com</a>/</strong></p>

<p>Waag has set up a neighborhood survey office in a vacant restaurant space, conducted through the public pay phone operated by The Pelican Group. The artist will call the phone at random, letting the phone ring until someone answers. A list of twenty-four questions concerning the neighborhood will be the starting point for conversation. Snippets of conversation will subsequently be displayed in the storefront window.</p>

<p><br />
<b>Kenneth Lo</b><br />
"Trophy Store"<br />
2867 24th Street  </p>

<p>Who do you wish you could be? What do you wish you had done so far with this single human lifetime? The answers our imaginations present expose an underlying vulnerability and an unfulfilled longing.  We ask children what they want to be when they grow up. This project asks a similar question of adults, and then seeks to present the idealized answer as a plausible reality. Working with select participants in the neighborhood, Lo has created a window into the dreams and aspirations of a community.   </p>

<p><br />
<b>Zachary Royer Scholz</b><br />
"Tony, Tony, Tony"<br />
2751 24th Street @ Hampshire (Tony's Market)</p>

<p>Scholz will repaint the sign running above the windows of Tony’s Market. Some time in the past, two Coca Cola sponsored signs replaced this once hand-painted sign.  This project will remove the now dingy signs and paint new signage on both facades of the corner store.  The design of this new sign will, through its composition and color scheme, give Tony’s Market a brighter and more positive presence within the community. </p>

<p><br />
<b>Lynn Marie Kirby</b><br />
"24th Street Listening Project"<br />
Listening brings quiet into the frenetic noise of our time by pausing to focus on what we hear- it is about focusing attention.  Kirby has been listening to sites along 24th Street: Garfield Square Field, 7th Day Adventist Church, St. Francis Fountain, Center Nail Salon, AA Meeting House and Brava Theater. She has taken notes from these listening sites and placed these sounds, now as language notes, into the forms found at these different locations--signs, programs, menus, price lists, brochures and posters. For the Listening Project, you are invited to listen actively with Kirby on designated days. Listening times and locations are posted on the Triple Base web site www.basebasebase.com and may be reserved by calling (415) 643-3943.  At the end of the shared listening period, listener's notes will be added to the accumulation materials recording the shared experiences.<br />
<a href="http://www.basebasebase.com/archive//000361.html">view schedule of past Listening Project days</a></p>

<p><b>Forrest Lewinger</b> <br />
"Untitled (Signs)" <br />
This project is made up of the comedic and tragic things we may find ourselves doing during times of economic hardship. By combining phrases found in love letters and internet scams, Lewinger has created a disjointed narrative whose protagonist embodies ideas of desire, the need for companionship, and the conflation of economic and emotional distress. The texts will be worn on sandwich boards along 24th Street on the 1st and 3rd Saturdays through January 31, 2010.</p>

<p><br />
<b>Elaine Buckholtz</b><br />
"Wandering Night House"<br />
On December 18 & 19, from dusk into the evening , Buckholtz will wander the the San Francisco streets with a portable light cart, dousing the Mission Corridor street facades with subtle light projections.  </p>

<p><br />
<b>Amber Hasselbring</b><br />
"Mission Greenbelt: Lower 24th Street" <br />
Hasselbring will sow wildflower seeds in tree basins, window boxes and sidewalk planters along the Lower 24th Street Corridor. The seeds will germinate this winter and bloom in the spring. In March 2010, she will conduct a botanical survey to measure the outcome.</p>

<p><b>24th Street projects in conjunction with <a href="http://www.basebasebase.com/archive/past_projects/000372.html">Art in Storefronts</a>:</b></p>

<p><b>Abner Nolan</b><br />
“A New Museum”<br />
2929 24th Street </p>

<p>Nolan has created a highly polished display space for curating everyday materials and objects collected in and around the immediate neighborhood. Using strategies of both museology and retail marketing, the Museum creates a public space for otherwise functional, personal or disregarded objects - as well as a venue for formal interventions in the surrounding environment.  </p>

<p><b>Tahiti Pehrson</b><br />
"We Built This City"<br />
2782 24th Street </p>

<p>Pehrson has filled this window with over one hundred hand-cut paper works inspired by the 24th Street neighborhood and culture. The intention of the piece is to convey a sense of levity and community, designed to cast shadow and soften light. Monochromatic white absorbs the orange and blue hues throughout the day, softening hard edges into dreamlike scenes that can be revisited for further exploration.  <br />
 www.tahitipehrson.com<br />
 <br />
<b>Kelly Ording & Jetro Martinez</b><br />
“Ms. Teriosa”<br />
3135 24th Street</p>

<p>The artist duo has transformed a vacant storefront into a free fortune-telling business. Cards left outside the storefront instruct passersby to ask “Ms. Teriosa” a question about their future and deposit the card inside a mailbox slot. One week later, the questions will be answered and displayed in the window. The installation includes a bright, bold, carnivalesque mural on the facade and hand-painted elements on the storefront windows.<br />
www.kellyording.com, www.jetromartinez.com</p>

<p></p>

<p><br />
</p>]]>

</content>
</entry>
<entry>
<title>Art in Storefronts</title>
<link rel="alternate" type="text/html" href="http://www.basebasebase.com/archive/past_projects/000372.html" />
<modified>2010-02-01T00:24:16Z</modified>
<issued>2010-01-30T23:57:33Z</issued>
<id>tag:,2010:/1.372</id>
<created>2010-01-30T23:57:33Z</created>
<summary type="text/plain">


Central Market:
DOWNLOAD MAP
 
The Tenderloin: 
DOWNLOAD MAP

The Bayview:
DOWNLOAD MAP

The Mission (Lower 24th Street): 
DOWNLOAD MAP

SFAC’s Community Arts &amp; Education Program and the Mayor’s Office of Economic and Workforce Development partnered with Triple Base to create a pilot Art in Storefronts program that places art temporarily in vacant storefront windows city-wide</summary>
<author>
<name>triplebase</name>

<email>triplebase@sbcglobal.net</email>
</author>
<dc:subject>Past Projects</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.basebasebase.com/">
<![CDATA[<p><img alt="AIS_ID_4CoL_V2_web.jpg" src="http://www.basebasebase.com/archive/images/AIS_ID_4CoL_V2_web.jpg" width="362" height="345" /></p>

<p><strong><br />
Central Market<br />
<a href="http://www.sfartscommission.org/CAE/wp-content/uploads/2009/09/SFAC_WebMap_Market_V1.pdf"><strong>DOWNLOAD MAP</strong></a><br />
 <br />
The Tenderloin <br />
<a href="http://www.sfartscommission.org/CAE/wp-content/uploads/2009/09/SFAC_WebMap_Tenderloin_V1.pdf"><strong>DOWNLOAD MAP</strong></a><br />
<a href="http://www.basebasebase.com/archive//000353.html"><strong>VIEW IMAGES OF CENTRAL MARKET & TENDERLOIN OPENING</strong></a></p>

<p>The Bayview<br />
<a href="http://www.sfartscommission.org/CAE/wp-content/uploads/2009/09/SFAC_WebMap_Bayview_V1.pdf"><strong>DOWNLOAD MAP</strong></a><br />
<a href="http://www.basebasebase.com/archive/images/000357.html"><strong>VIEW IMAGES OF BAYVIEW OPENING</strong></a></p>

<p>The Mission (Lower 24th Street) <br />
<a href="http://www.sfartscommission.org/CAE/wp-content/uploads/2009/09/Mission_Map.pdf"><strong>DOWNLOAD MAP</strong></a><br></p>

<p><img alt="AIS_Bayview_web.jpg" src="http://www.basebasebase.com/archive/images/AIS_Bayview_web.jpg" width="362" height="483" /></p>

<p>SFAC’s Community Arts & Education Program and the Mayor’s Office of Economic and Workforce Development have partnered with Triple Base to create a pilot Art in Storefronts program that places art temporarily in vacant storefront windows located on Taylor Street in the Tenderloin, Central Market, The Bayview and Lower 24th Street in the Mission. </p>

<p>The program will engage local artists in reinvigorating neighborhoods and commercial corridors that have been hard-hit by the economic downturn. It also provides artists, who have also been affected by the economy, with a unique opportunity to showcase their creativity in transforming vacant storefronts into free exhibition spaces and to garner public recognition for their work. </p>

<p>Launching in late October, the program will run through January 2010 and will culminate in a supporting website that will provide a toolkit for private property owners and neighborhoods who would like to implement similar temporary art projects in the future.</p>

<p><b>Central Market Installations:</b><br />
  <br />
<b>Alexis Amann & Jonathan Burstein</b><br />
“Don’t Give Up the Ship”<br />
986 Market Street</p>

<p>This installation imagines an underwater Market Street filled with deep sea divers, kelp forests, and shipwrecks.  Part utopian and part post-apocalyptic, the aquatic theme references the current economic situation which has resulted in so many vacant storefronts ("underwater homeowners", "loan sharks", "drowning in debt"), as well as the specter of climate change and rising sea levels in a coastal city.  The title refers to a historic flag that flies in nearby Civic Center;  the idea of perseverance in the face of an onslaught seems fitting for both the neighborhood and the times we live in.<br />
www.alexisamann.com, www.jburstein.com<br />
 <br />
<b>Helen Bayly & Leanne Miller</b><br />
"Find Yourself in Natural History"<br />
939 - 989 Market Street</p>

<p>This 123 foot mural will feature two landscapes layered atop one another. One layer will depict the bustling Market Street, rendered with loose gestural brushwork. The second landscape will include delicately painted, brightly colored cutouts of native flora and fauna that previously thrived on Market Street. The two landscapes will be interwoven to create a playful relationship between the past and the present.<br />
fanciemammal.blogspot.com/</p>

<p> <br />
<b>Drone Dungeon Collective (Hunter Longe, Jason Hendardy and Brett Foreman)</b><br />
"INFINITESIMAL INFINITY"<br />
990 Market Street</p>

<p>While most stores house the tangible, this storefront houses an expanse. With this site specific, participatory work, the artist collective invites passersby to consider their own influence over time and space.<br />
http://dronedungeon.com/</p>

<p><b>Rachel Beth Egenhoefer</b><br />
"Comforting Connections"<br />
1119 Market Street</p>

<p>Serving as a central artery of the San Francisco transportation system, Central Market is both a destination and a transfer point for many of its residents. Like commuting, knitting involves a back and forth of looping and connecting individual stitches to construct a larger form. The artist will create a three-dimensional knitted yarn installation in which occupied buildings are tightly knit and constructed. Loose yarns from building to building, to and from the commuter paths, form the hollow but cozy outline of the vacant spaces available to potential renters.<br />
www.rachelbeth.net <br />
             <br />
<b>Paul Hayes</b><br />
"Giant Ghosts"<br />
989 Market Street</p>

<p>This storefront will include life-size floating figures made out of crumpled, white paper and illuminated from below with a bright blue light.  Moving air currents in the space will make the figures gently sway, giving them a striking, life-like presence. The artist intends to trigger the imagination and bring processed, man-made paper back to the kind of arrangement that occurs naturally in biology.<br />
paulandrewhayes.com</p>

<p><b>Phillip Hua</b><br />
 “CONSIDER IT"<br />
984 Market Street</p>

<p>In the front window “CONSIDERATE” will be spelled out in green paper that, designed to fade over time, will transform into “CONSIDER IT.” Inside the space, a tableaux of a chair, table, flowers and a clock will tell another story that evolves over the course of time. This project intends to increase environmental awareness through an installation that physically changes from start to finish. Those who pass by the storefront on a daily basis will witness the gradual change.<br />
www.philliphua.com<br />
     <br />
<b>Liz Maher</b><br />
"No One Seems To Care That I Want Roots"<br />
998 Market Street</p>

<p>Maher will create a craft-based, labor intensive sculptural diorama that references both the rapidly changing neighborhoods all over San Francisco as well as feelings of transience and impermanence. The scene will depict rolling hills filled with rows of cardboard houses, stuffed fabric cumulous clouds looming overhead, and a sky which opens up to giant plaster hands reaching down and uprooting the homes by their telephone lines.<br />
www.lizmaher.com<br />
              <br />
<b>San Francisco Film Museum & Archive</b><br />
“Celebrate Film in San Francisco”<br />
989 Market Street</p>

<p>This project is a video and digital image installation showcasing San Francisco’s rich film heritage. The central component will be the Miles Brothers 1906 film, <em>A Trip Down Market Street</em>, shot from the front of a cable car heading down Market Street just four days before the earthquake. Other monitors will feature still images from films shot on locations pertinent to SF Bay Area history.</p>

<p><b>Christopher Simmons and Tim Belonax</b><br />
“Everything is OK”<br />
998 Market Street</p>

<p>Neon letters proclaiming, “Everything is OK” encourage the public to reevaluate their relationship to the status quo. Is everything ok? Does the term “ok” signify good or merely mediocre? Is mediocrity what we're being asked to accept? Below the typographic neon sign, rows of canned “products” offer the promise of instant “ok-ness.” The installation is equal parts commentary and reassuring mantra — an open ended caption for our state of affairs and our state of mind.<br />
 </p>

<p><b>Tenderloin Installations:</b></p>

<p><b>Central City Hospitality House</b><br />
 “Our Busy Lives”<br />
116 Taylor Street</p>

<p>Hospitality House studio artists will create a series of hand-painted clocks representing the busy lives of poor and homeless people living in the Tenderloin. Artists will each paint a personalized artwork on the face of a clock that represent their day-long activities to educate the broader community about the important contributions Tenderloin residents bring to the fabric of San Francisco.<br />
www.hospitalityhouse.org<br />
 <br />
<b>Chris Treggiari & Billy Mitchell</b><br />
“Fight for your Neighborhood”<br />
144 Taylor Street</p>

<p>Spurred by the Tenderloin’s historical connection to the sport of boxing, the artists will create a boxing gym installation that also serves as a reminder to stand up and fight for the neighborhood during tough economic times. Artist Chris Treggiari will create the installation elements of the boxing ring and gloves. Photographer Billy Mitchell (Sixth Street Photography) will take photographs of local residents to create the foreground montage of the crowd watching the match.<br />
www.christreggiari.com, http://sixthstreetphoto.net/<br />
 <br />
<b>Betty Nguyen</b><br />
“Thingamajig: Nguyen is Nguyen"<br />
277 Taylor Street</p>

<p>Celebrating the Tenderloin’s Vietnamese community, the artist will present a film of daily life in Vietnam set to a soundtrack of experimental music. This video installation is a waking dream voyage to Vietnam. Taking moving images from her own memory, the artist places them alongside a tribute to other contemporary Asian authors, inspirers and co-conspirators. A wall-sized newspaper lining the windows will include images and texts by Vietnamese-American contemporary figures that have broken stereotypical molds.<br />
www.firstpersonmag.com<br />
 <br />
<b>The Bayview Installations:</b></p>

<p><b>Elisheva Biernoff</b><br />
"Living Room"<br />
1624 Oakdale Avenue</p>

<p>Biernoff will recreate, in painted plywood, a neighborhood living room. Prior to installation, the artist will ask local residents for family photos that she will meticulously reproduce as small-scale paintings to hang on the “living room” wall. At the end of the exhibition, the paintings will be given to each contributor. The project observes the small things that comprise a shared space, and briefly brings together a set of private tokens of memory and affection.</p>

<p><b>Kristine Mays</b><br />
"Strong Women, Precious Pearls"<br />
4438 3rd Street</p>

<p>Celebrating the hard-working women of the Bayview community, Mays will represent three generations of women through clothing sculpted in wire. Using hundreds of pieces of wire, the artist creates the essence of a person wearing a garment; the occupant is revealed among the folds and shapes that give life to the sculpture.<br />
http://kmaysart.blogspot.com<br />
 <br />
<b>ART 94124</b><br />
“Working Artist, Artist Working”<br />
(note: installation no longer at 4404 3rd Street, new location TBD) </p>

<p>This storefront will present a short film produced by ART 94124, a grassroots organization formed by Bayview-Hunter’s Point residents and artists. The non-narrative film will feature seven BVHP working artists working in their studios, drawing attention to the artistic process.  A coinciding exhibit at the ART 94124 gallery will display artwork created by the artists featured in the film.<br />
www.ART94124.com<br />
 <br />
<b>Bayview Hunter’s Point YMCA & Malik Seneferu</b> <br />
"Marking Birds"<br />
4900 3rd Street</p>

<p>This collaborative project is a collection of Marking Birds. Children ages 10-16 have worked alongside Seneferu decorating the birds that symbolize the soul and the spirit. Malik Seneferu is an internationally recognized artist form the Bay Area worked with YMCA youth for summer 2009.<br />
http://www.ymcasf.org/Bayview/index.html<br />
 <br />
<b>The Mission (Lower 24th Street) Installations:</b></p>

<p><b>Abner Nolan</b><br />
“A New Museum”<br />
2929 24th Street </p>

<p>Nolan has created a highly polished display space for curating everyday materials and objects collected in and around the immediate neighborhood. Using strategies of both museology and retail marketing, the Museum creates a public space for otherwise functional, personal or disregarded objects - as well as a venue for formal interventions in the surrounding environment.  </p>

<p><b>Tahiti Pehrson</b><br />
"We Built This City"<br />
2782 24th Street </p>

<p>Pehrson has filled this window with over one hundred hand-cut paper works inspired by the 24th Street neighborhood and culture. The intention of the piece is to convey a sense of levity and community, designed to cast shadow and soften light. Monochromatic white absorbs the orange and blue hues throughout the day, softening hard edges into dreamlike scenes that can be revisited for further exploration.  <br />
 www.tahitipehrson.com<br />
 <br />
<b>Kelly Ording & Jetro Martinez</b><br />
“Ms. Teriosa”<br />
3135 24th Street</p>

<p>The artist duo has transformed a vacant storefront into a free fortune-telling business. Cards left outside the storefront instruct passersby to ask “Ms. Teriosa” a question about their future and deposit the card inside a mailbox slot. One week later, the questions will be answered and displayed in the window. The installation includes a bright, bold, carnivalesque mural on the facade and hand-painted elements on the storefront windows.<br />
www.kellyording.com, www.jetromartinez.com</p>

<p>10 Additional projects commissioned by Triple Base on 24th Street in conjunction with <a href="http://www.basebasebase.com/archive/past_projects/000373.html">24th Street Promenade</a></p>]]>

</content>
</entry>
<entry>
<title>24th Street Food &amp; Films</title>
<link rel="alternate" type="text/html" href="http://www.basebasebase.com/archive/past_projects/000371.html" />
<modified>2010-01-31T22:48:39Z</modified>
<issued>2010-01-16T20:27:27Z</issued>
<id>tag:,2010:/1.371</id>
<created>2010-01-16T20:27:27Z</created>
<summary type="text/plain">24th Street Food &amp; Films
curated by Clare Haggarty
films by Martha Rosler, Veronica Majano and Kari Orvik 
Saturday, January 30, 6-9pm



This closing event for Art in Storefronts and 24th Street Promenade featured a guided tour of the 12 art projects followed by dinner and a unique film program curated by Clare Haggarty at Sun Rise Restaurant.</summary>
<author>
<name>triplebase</name>

<email>triplebase@sbcglobal.net</email>
</author>
<dc:subject>Past Projects</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.basebasebase.com/">
<![CDATA[<p><strong><em>24th Street Food & Films</em></strong><br />
curated by Clare Haggarty<br />
films by Martha Rosler, Veronica Majano and Kari Orvik<br />
Saturday, January 30, 6-9pm</p>

<p><img alt="Sunrise_web.jpg" src="http://www.basebasebase.com/archive/images/Sunrise_web.jpg" width="362" height="272" /></p>

<p>This closing event for <a href="http://www.basebasebase.com/archive/link_me/000340.html">Art in Storefronts and 24th Street Promenade </a>featured a guided tour of the 12 art projects followed by dinner and a unique film program curated by Clare Haggarty at Sun Rise Restaurant.</p>

<p><strong>Film Program:</strong></p>

<p>Martha Rosler, <em>Secrets from the Street: No Disclosure</em>, 1980</p>

<p>In the 80's, Rosler had a studio near 24th Street in the Mission where she filmed the street in super 8 out of a car window. The footage is collaged with her voiceover making observations about the neighborhood.</p>

<p> <br />
Veronica Majano, <em>Two Four</em>, 2002</p>

<p>"Two Four" as in 24th Street in San Francisco’s Mission District, explores the fragile decay of memory in this short hand-processed black and white super 8 film.</p>

<p><br />
Kari Orvik, <em>Mission Portrait Studio, 24th and Mission</em>, 2008</p>

<p>This video documents a day of free public portraits through audio interviews, super 8 film and video footage of participants' reactions to their images, neighborhood and one another.<br />
  </p>]]>

</content>
</entry>
<entry>
<title>Japa: Oliver Halsman Rosenberg and Friends Images</title>
<link rel="alternate" type="text/html" href="http://www.basebasebase.com/archive/images/000370.html" />
<modified>2010-01-11T00:52:47Z</modified>
<issued>2010-01-11T00:39:35Z</issued>
<id>tag:,2010:/1.370</id>
<created>2010-01-11T00:39:35Z</created>
<summary type="text/plain"></summary>
<author>
<name>triplebase</name>

<email>triplebase@sbcglobal.net</email>
</author>
<dc:subject>Images</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.basebasebase.com/">
<![CDATA[<p><img alt="Japa_Steps.jpg" src="http://www.basebasebase.com/archive/images/Japa_Steps.jpg" width="362" height="272" /></p>

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<img alt="Japa6.jpg" src="http://www.basebasebase.com/archive/images/Japa6.jpg" width="362" height="272" /></p>

<p><br />
<img alt="Japa1_web.jpg" src="http://www.basebasebase.com/archive/images/Japa1_web.jpg" width="362" height="250" /></p>

<p><br />
<img alt="Japa2.jpg" src="http://www.basebasebase.com/archive/images/Japa2.jpg" width="362" height="483" /></p>

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</content>
</entry>
<entry>
<title>Bryson Gill Solo Show Images w/ Prices</title>
<link rel="alternate" type="text/html" href="http://www.basebasebase.com/archive/artist_pages_with_prices/000369.html" />
<modified>2010-02-10T00:01:15Z</modified>
<issued>2010-01-10T23:46:25Z</issued>
<id>tag:,2010:/1.369</id>
<created>2010-01-10T23:46:25Z</created>
<summary type="text/plain">Installation Shots Individual Works Emporium, A Series of Possessions, 2009 oil on linen 15 ” x 12” SOLD Like a Rock, Oh, Like a Rock (Untitled A), 2009 foam, plaster, paint, on wood base 14’’ x 9’’ x 14’’ $1200 Throwback and Add-on (confetti lop), 2009 oil on linen 29”...</summary>
<author>
<name>triplebase</name>

<email>triplebase@sbcglobal.net</email>
</author>
<dc:subject>Artist Pages with Prices</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.basebasebase.com/">
<![CDATA[<p><strong>Installation Shots</strong></p>

<p><br />
<img alt="Install_leftwall_web.jpg" src="http://www.basebasebase.com/archive/images/Install_leftwall_web.jpg" width="362" height="272" /></p>

<p><br />
<img alt="Install_backleftwall_web.jpg" src="http://www.basebasebase.com/archive/images/Install_backleftwall_web.jpg" width="362" height="272" /></p>

<p><br />
<img alt="Install_back_web.jpg" src="http://www.basebasebase.com/archive/images/Install_back_web.jpg" width="362" height="272" /></p>

<p><br />
<img alt="Install_backrightwall_web.jpg" src="http://www.basebasebase.com/archive/images/Install_backrightwall_web.jpg" width="362" height="272" /></p>

<p><br />
<img alt="Install_rightwall_web.jpg" src="http://www.basebasebase.com/archive/images/Install_rightwall_web.jpg" width="362" height="272" /></p>

<p><br />
<img alt="Install_front_web.jpg" src="http://www.basebasebase.com/archive/images/Install_front_web.jpg" width="362" height="272" /></p>

<p><strong>Individual Works</strong></p>

<p><img alt="Emporium,ASeriesofPossessions_web.jpg" src="http://www.basebasebase.com/archive/images/Emporium%2CASeriesofPossessions_web.jpg" width="362" height="270" /><br />
Emporium, A Series of Possessions, 2009<br />
oil on linen<br />
15 ” x 12” <br />
SOLD</p>

<p><br />
<img alt="LAR(UntitledA)_web.jpg" src="http://www.basebasebase.com/archive/images/LAR%28UntitledA%29_web.jpg" width="362" height="483" /><br />
Like a Rock, Oh, Like a Rock (Untitled A), 2009<br />
foam, plaster, paint, on wood base<br />
14’’ x 9’’ x 14’’<br />
$1200</p>

<p><br />
<img alt="ThrowbackandAdd-on(confetti lop)_web.jpg" src="http://www.basebasebase.com/archive/images/ThrowbackandAdd-on%28confetti%20lop%29_web.jpg" width="362" height="450" /><br />
Throwback and Add-on (confetti lop), 2009<br />
oil on linen<br />
29” x 36 ” <br />
$3500</p>

<p><br />
<img alt="Inny(chickenscratch)_web.jpg" src="http://www.basebasebase.com/archive/images/Inny%28chickenscratch%29_web.jpg" width="362" height="487" /><br />
Inny (chicken scratch), 2009-2010<br />
colored pencil and graphite on paper<br />
10” x 14”<br />
$700<br />
frame $100</p>

<p><br />
<img alt="LAR(Mask)_web.jpg" src="http://www.basebasebase.com/archive/images/LAR%28Mask%29_web.jpg" width="362" height="483" /><br />
Like a Rock, Oh, Like a Rock (Untitled Mask), 2009<br />
cardboard, foam, plaster, paint, on wood base<br />
12’’ x 12’’ x 36’’<br />
$1400</p>

<p><br />
<img alt="ThrowbackandAdd-on(a form and a line)_web.jpg" src="http://www.basebasebase.com/archive/images/ThrowbackandAdd-on%28a%20form%20and%20a%20line%29_web.jpg" width="362" height="507" /><br />
Throwback and Add-on (a form and a line), 2009<br />
oil on linen<br />
26” x 37”<br />
$3200</p>

<p><br />
<img alt="LAR(Check)_web.jpg" src="http://www.basebasebase.com/archive/images/LAR%28Check%29_web.jpg" width="362" height="272" /><br />
Like a Rock, Oh, Like a Rock (Untitled Check), 2009<br />
wood, plaster, paint, on wood base<br />
16’’ x 11’’ x 23’’<br />
$1200</p>

<p><br />
<img alt="Panorama(backdrop)_web.jpg" src="http://www.basebasebase.com/archive/images/Panorama%28backdrop%29_web.jpg" width="362" height="269" /><br />
Panorama (backdrop), 2009<br />
oil on linen<br />
23” x 18’’<br />
$2200</p>

<p><br />
<img alt="Cosmo(backdrop)_web.jpg" src="http://www.basebasebase.com/archive/images/Cosmo%28backdrop%29_web.jpg" width="362" height="318" /><br />
Cosmo (backdrop), 2009<br />
oil on linen<br />
26’’ x 23’’<br />
SOLD</p>

<p><br />
<img alt="LARSeahorseandAddonPaisley_web.jpg" src="http://www.basebasebase.com/archive/images/LARSeahorseandAddonPaisley_web.jpg" width="362" height="272" /><br />
Like a Rock, Oh, Like a Rock (Untitled Assets), 2009<br />
foam, plaster, paint, on wood base<br />
16’’ x 9’’ x 14’’<br />
$1200</p>

<p>and</p>

<p>Throwback and Add-on (pants), 2009<br />
colored pencil and graphite on paper<br />
10” x 14”<br />
$700<br />
frame $100</p>

<p><br />
<img alt="Emporium,aSeriesofPossessionsandSpaces_web.jpg" src="http://www.basebasebase.com/archive/images/Emporium%2CaSeriesofPossessionsandSpaces_web.jpg" width="362" height="284" /><br />
Emporium, a Series of Possessions and Spaces, 2009<br />
oil on linen<br />
36 ” x 29”<br />
$3500</p>

<p><br />
<img alt="LAR_Seahorse_web.jpg" src="http://www.basebasebase.com/archive/images/LAR_Seahorse_web.jpg" width="362" height="272" /><br />
Like a Rock, Oh, Like a Rock (Untitled Seahorse), 2009<br />
foam, plaster, paint, on wood base<br />
18’’ x 10’’ x 10’’<br />
$1200</p>

<p><br />
<img alt="ThrowbackandAddOn(Paisley)_web.jpg" src="http://www.basebasebase.com/archive/images/ThrowbackandAddOn%28Paisley%29_web.jpg" width="362" height="474" /><br />
Throwback and Add-on (Paisley), 2009<br />
oil on paper<br />
11” x 16”<br />
$1000<br />
frame $100</p>

<p><br />
<img alt="Install_leftwindow_web.jpg" src="http://www.basebasebase.com/archive/images/Install_leftwindow_web.jpg" width="362" height="234" /><br />
Like a Rock, Oh, Like a Rock (Untitled Rocks), 2009<br />
foam, plaster, paint, on wood base<br />
16’’ x 13’’ x 6’’<br />
$800<br />
</p>]]>

</content>
</entry>
<entry>
<title>Bryson Gill Solo Show Images</title>
<link rel="alternate" type="text/html" href="http://www.basebasebase.com/archive/images/000368.html" />
<modified>2010-01-10T23:40:09Z</modified>
<issued>2010-01-10T23:18:10Z</issued>
<id>tag:,2010:/1.368</id>
<created>2010-01-10T23:18:10Z</created>
<summary type="text/plain">Installation Shots Individual Works Emporium, A Series of Possessions, 2009 oil on linen 15 ” x 12” Like a Rock, Oh, Like a Rock (Untitled A), 2009 foam, plaster, paint, on wood base 14’’ x 9’’ x 14’’ Throwback and Add-on (confetti lop), 2009 oil on linen 29” x 36...</summary>
<author>
<name>triplebase</name>

<email>triplebase@sbcglobal.net</email>
</author>
<dc:subject>Images</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.basebasebase.com/">
<![CDATA[<p><strong>Installation Shots</strong></p>

<p><br />
<img alt="Install_leftwall_web.jpg" src="http://www.basebasebase.com/archive/images/Install_leftwall_web.jpg" width="362" height="272" /></p>

<p><br />
<img alt="Install_backleftwall_web.jpg" src="http://www.basebasebase.com/archive/images/Install_backleftwall_web.jpg" width="362" height="272" /></p>

<p><br />
<img alt="Install_back_web.jpg" src="http://www.basebasebase.com/archive/images/Install_back_web.jpg" width="362" height="272" /></p>

<p><br />
<img alt="Install_backrightwall_web.jpg" src="http://www.basebasebase.com/archive/images/Install_backrightwall_web.jpg" width="362" height="272" /></p>

<p><br />
<img alt="Install_rightwall_web.jpg" src="http://www.basebasebase.com/archive/images/Install_rightwall_web.jpg" width="362" height="272" /></p>

<p><br />
<img alt="Install_front_web.jpg" src="http://www.basebasebase.com/archive/images/Install_front_web.jpg" width="362" height="272" /></p>

<p><strong>Individual Works</strong></p>

<p><img alt="Emporium,ASeriesofPossessions_web.jpg" src="http://www.basebasebase.com/archive/images/Emporium%2CASeriesofPossessions_web.jpg" width="362" height="270" /><br />
Emporium, A Series of Possessions, 2009<br />
oil on linen<br />
15 ” x 12” </p>

<p><br />
<img alt="LAR(UntitledA)_web.jpg" src="http://www.basebasebase.com/archive/images/LAR%28UntitledA%29_web.jpg" width="362" height="483" /><br />
Like a Rock, Oh, Like a Rock (Untitled A), 2009<br />
foam, plaster, paint, on wood base<br />
14’’ x 9’’ x 14’’</p>

<p><br />
<img alt="ThrowbackandAdd-on(confetti lop)_web.jpg" src="http://www.basebasebase.com/archive/images/ThrowbackandAdd-on%28confetti%20lop%29_web.jpg" width="362" height="450" /><br />
Throwback and Add-on (confetti lop), 2009<br />
oil on linen<br />
29” x 36 ” </p>

<p><br />
<img alt="Inny(chickenscratch)_web.jpg" src="http://www.basebasebase.com/archive/images/Inny%28chickenscratch%29_web.jpg" width="362" height="487" /><br />
Inny (chicken scratch), 2009-2010<br />
colored pencil and graphite on paper<br />
10” x 14”</p>

<p><br />
<img alt="LAR(Mask)_web.jpg" src="http://www.basebasebase.com/archive/images/LAR%28Mask%29_web.jpg" width="362" height="483" /><br />
Like a Rock, Oh, Like a Rock (Untitled Mask), 2009<br />
cardboard, foam, plaster, paint, on wood base<br />
12’’ x 12’’ x 36’’</p>

<p><br />
<img alt="ThrowbackandAdd-on(a form and a line)_web.jpg" src="http://www.basebasebase.com/archive/images/ThrowbackandAdd-on%28a%20form%20and%20a%20line%29_web.jpg" width="362" height="507" /><br />
Throwback and Add-on (a form and a line), 2009<br />
oil on linen<br />
26” x 37”</p>

<p><br />
<img alt="LAR(Check)_web.jpg" src="http://www.basebasebase.com/archive/images/LAR%28Check%29_web.jpg" width="362" height="272" /><br />
Like a Rock, Oh, Like a Rock (Untitled Check), 2009<br />
wood, plaster, paint, on wood base<br />
16’’ x 11’’ x 23’’</p>

<p><br />
<img alt="Panorama(backdrop)_web.jpg" src="http://www.basebasebase.com/archive/images/Panorama%28backdrop%29_web.jpg" width="362" height="269" /><br />
Panorama (backdrop), 2009<br />
oil on linen<br />
23” x 18’’</p>

<p><br />
<img alt="Cosmo(backdrop)_web.jpg" src="http://www.basebasebase.com/archive/images/Cosmo%28backdrop%29_web.jpg" width="362" height="318" /><br />
Cosmo (backdrop), 2009<br />
oil on linen<br />
26’’ x 23’’</p>

<p><br />
<img alt="LARSeahorseandAddonPaisley_web.jpg" src="http://www.basebasebase.com/archive/images/LARSeahorseandAddonPaisley_web.jpg" width="362" height="272" /><br />
Like a Rock, Oh, Like a Rock (Untitled Assets), 2009<br />
foam, plaster, paint, on wood base<br />
16’’ x 9’’ x 14’’<br />
and<br />
Throwback and Add-on (pants), 2009<br />
colored pencil and graphite on paper<br />
10” x 14”</p>

<p><br />
<img alt="Emporium,aSeriesofPossessionsandSpaces_web.jpg" src="http://www.basebasebase.com/archive/images/Emporium%2CaSeriesofPossessionsandSpaces_web.jpg" width="362" height="284" /><br />
Emporium, a Series of Possessions and Spaces, 2009<br />
oil on linen<br />
36 ” x 29”</p>

<p><br />
<img alt="LAR_Seahorse_web.jpg" src="http://www.basebasebase.com/archive/images/LAR_Seahorse_web.jpg" width="362" height="272" /><br />
Like a Rock, Oh, Like a Rock (Untitled Seahorse), 2009<br />
foam, plaster, paint, on wood base<br />
18’’ x 10’’ x 10’’</p>

<p><br />
<img alt="ThrowbackandAddOn(Paisley)_web.jpg" src="http://www.basebasebase.com/archive/images/ThrowbackandAddOn%28Paisley%29_web.jpg" width="362" height="474" /><br />
Throwback and Add-on (Paisley), 2009<br />
oil on paper<br />
11” x 16”</p>

<p><br />
<img alt="Install_leftwindow_web.jpg" src="http://www.basebasebase.com/archive/images/Install_leftwindow_web.jpg" width="362" height="234" /><br />
Like a Rock, Oh, Like a Rock (Untitled Rocks), 2009<br />
foam, plaster, paint, on wood base<br />
16’’ x 13’’ x 6’’</p>]]>

</content>
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